Yao Wang (born 1995) is a Chinese conceptual artist currently based in Austria.
\nAfter receiving his bachelor\u2019s degree in design in Saint Petersburg, Russia, in 2019, he traveled to Belgrade as an artist-in- residence and accidentally got stuck there due to the pandemic. He eventually decided to stay, and this experience has shaped his practice into what it is today, primarily working in sculpture, installation, and still & moving images. He explores themes such as identity, culture, society, and one\u2019s role within it.
\nCurrently enrolled as a master\u2019s student in the department of Plastische Konzeptionen\/ Keramik at Kunstuni Linz, Austria.<\/p>\n
Work description:<\/p>\n
Arise!<\/p>\n
We who refuse to be slaves!
\nWith our flesh and blood, let us build our new Great Wall!<\/p>\n
Over the past three years, China has endured a relentless cycle of lockdowns and societal turmoil. Amidst this chaos, many individuals took to expressing their dissent online by quoting the first two sentences of the Chinese National Anthem, a symbolic act of rebellion. Yet, in the face of censorship, these expressions were swiftly erased from public view, including the anthem itself. It\u2019s a surreal spectacle witnessing the ruling party of such a vast nation struggle to tolerate its own cultural heritage.<\/p>\n
In response, I decided to inscribe these powerful words physically, ensuring their preservation for posterity. By doing so, I sought to reclaim a piece of our shared history and affirm the enduring spirit of those who resist oppression.<\/p>\n","protected":false},"excerpt":{"rendered":"
Yao Wang (born 1995) is a Chinese conceptual artist currently based in Austria. After receiving his bachelor\u2019s degree in design in Saint Petersburg, Russia, in 2019, he traveled to Belgrade as an artist-in- residence and accidentally got stuck there due to the pandemic. He eventually decided to stay, and this experience has shaped his practice […]<\/p>\n","protected":false},"author":1,"featured_media":3380,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[21],"tags":[],"_links":{"self":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts\/3379"}],"collection":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/comments?post=3379"}],"version-history":[{"count":1,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts\/3379\/revisions"}],"predecessor-version":[{"id":3382,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts\/3379\/revisions\/3382"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/media\/3380"}],"wp:attachment":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/media?parent=3379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/categories?post=3379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/tags?post=3379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}