{"id":3305,"date":"2024-06-05T14:17:13","date_gmt":"2024-06-05T14:17:13","guid":{"rendered":"https:\/\/awb.rs\/program\/?p=3305"},"modified":"2024-06-05T14:19:14","modified_gmt":"2024-06-05T14:19:14","slug":"kemil-bektesi","status":"publish","type":"post","link":"https:\/\/awb.rs\/program\/kemil-bektesi\/?lang=sr","title":{"rendered":"Kemil Bekte\u0161i"},"content":{"rendered":"<p>Kemil Bekte\u0161i (r. 1997, Beograd) je bosanski\/srpski\/kosovski umetnik koji se specijalizirao za istra\u017eivanje i rad na temama vezanim za identitet, geopolitiku i nacionalnost. Bio je finalista i za nagradu ZVONO (YVAA \u2013 BiH, 2020) i za nagradu MANGELOS (YVAA \u2013 Srb, 2022). Magistrirao je 2021. godine, a diplomirao 2020. godine na Akademiji likovnih umjetnosti u Sarajevu. 2018\/19. studirao je oblast savremene umetnosti na Faculdade de Belas Artes do Porto u Portugalu. Godine 2023. pridru\u017eio se petoj generaciji WHW Akademije u Zagrebu (Hrvatska). Trenutno \u017eivi i radi izme\u0111u Sarajeva (BiH) i Beograda (Srb).<\/p>\n<p>Stara krv&#8221; (2021 &#8211; ) je site-specific performans koji istra\u017euje geopoliti\u010dki pejza\u017e Balkana, posebno odnos Srbije prema Kosovu. Zna\u010daj kosovske krvi u srpskoj istoriji je neosporan, simbolizuju\u0107i presti\u017e i veliki deo nacionalnog identiteta. Me\u0111utim, ispostavlja se da nije sva kosovska krv jednako po\u0161tovana. Kroz humai \u010din, davanjem krvi, poku\u0161ao sam da testiram da li \u0107e moja kosovska krv biti prihva\u0107ena od strane Srbije.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kemil Bekte\u0161i (r. 1997, Beograd) je bosanski\/srpski\/kosovski umetnik koji se specijalizirao za istra\u017eivanje i rad na temama vezanim za identitet, geopolitiku i nacionalnost. Bio je finalista i za nagradu ZVONO (YVAA \u2013 BiH, 2020) i za nagradu MANGELOS (YVAA \u2013 Srb, 2022).<\/p>\n","protected":false},"author":1,"featured_media":3303,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[43],"tags":[],"_links":{"self":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts\/3305"}],"collection":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/comments?post=3305"}],"version-history":[{"count":1,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts\/3305\/revisions"}],"predecessor-version":[{"id":3306,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts\/3305\/revisions\/3306"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/media\/3303"}],"wp:attachment":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/media?parent=3305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/categories?post=3305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/tags?post=3305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}