{"id":3172,"date":"2024-06-05T12:18:21","date_gmt":"2024-06-05T12:18:21","guid":{"rendered":"https:\/\/awb.rs\/program\/?p=3172"},"modified":"2024-06-05T12:19:29","modified_gmt":"2024-06-05T12:19:29","slug":"miriam-edmunds","status":"publish","type":"post","link":"https:\/\/awb.rs\/program\/miriam-edmunds\/","title":{"rendered":"Miriam Edmunds"},"content":{"rendered":"<p>Miriam Edmunds is a curator, historian and writer specializing in photography, with a special interest in socio-political and cultural issues, as well as in the promotion of young talent. She lives and works in Basel. Since 2018, she has curated numerous exhibitions and projects, including: Coalmine, Winterthur (2024); Kunsthalle Recklinghausen (2024); Museum Morsbroich, Leverkusen (2024); Cultural Foundation of the Canton of Thurgau, Frajinfeld (2023); International Photo Festival in Olten (2023); Kunstmuseum Olten (2021); and Fotoforum Pasquart, Bijel (2019).<\/p>\n<p>In 2024, she joined the board of near., the Swiss Association for Contemporary Photography. During 2023 and 2024, she was a scholarship holder of Residence NRW+ and Pro Helvetia in Munster, Germany. Before that, she worked on the promotion of art at the Cultural Foundation of the Canton of Thurgau and together with the collective ran the independent space so-da.space.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Miriam Edmunds is a curator, historian and writer specializing in photography, with a special interest in socio-political and cultural issues, as well as in the promotion of young talent. She lives and works in Basel. Since 2018, she has curated numerous exhibitions and projects, including: Coalmine, Winterthur (2024); Kunsthalle Recklinghausen (2024); Museum Morsbroich, Leverkusen (2024); [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3174,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[23],"tags":[],"_links":{"self":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts\/3172"}],"collection":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/comments?post=3172"}],"version-history":[{"count":3,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts\/3172\/revisions"}],"predecessor-version":[{"id":3177,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/posts\/3172\/revisions\/3177"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/media\/3174"}],"wp:attachment":[{"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/media?parent=3172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/categories?post=3172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/awb.rs\/program\/wp-json\/wp\/v2\/tags?post=3172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}